1 000 безкоштовних аудіофайлів для "Third Tones"

A mean fifth (sine waves of 300 Hz and 448.6Hz) followed by a wolf fifth (300 Hz and 459.37Hz); intervals occur in quarter-comma meantone temperament.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line and difference tones.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

*Septimal sixth-tone on C = BLL#-. 50:49 = 34.98 cents. Limit: 7-limit. MIDI pitch bend: 25,75

*Lesser 41-limit fifth tone on C = D♭. Just: 42:41 = 41.72 cents. Limit: 41-limit. MIDI pitch bend: 45,77

*Greater 61-limit eighth tone on C. Just: 61/60 = 28.62 cents. Limit: 61-limit. MIDI pitch bend: 20,73

*Lesser 61-limit eighth tone on C. Just: 62/61 = 27.70 cents. Limit: 61-limit. MIDI pitch bend: 1,73

*Greater 59-limit seventh tone on C = ?. Just: 59/58 = 29.59 cents. Limit: 59-limit. MIDI pitch bend: 60,73

*Lesser 53-limit sixth tone on C = ??. Just: 54/53 = 32.36 cents. Limit: 53-limit. MIDI pitch bend: 45,74

*Greater 47-limit fifth tone on C = ?. Just: 47/46 = 37.23 cents. Limit: 47-limit. MIDI pitch bend: 117,75

*Lesser 47-limit eleventh tone on C. Just: 95/94 = 18.32 cents. Limit: 47-limit. MIDI pitch bend: 110,69

*Lesser 97-limit eleventh tone on C. Just: 98/97 = 17.76 cents. Limit: 97-limit. MIDI pitch bend: 87,69

*Tridecimal fifth tone on C = C♯. Just: 40 : 39 = 43.83 cents. Limit: 13-limit. MIDI pitch bend: 3,78

*Greater 97-limit eleventh tone on C. Just: 97/96 = 17.94 cents. Limit: 97-limit. MIDI pitch bend: 94,69

*Novendecimal fifth tone on C = C. Just: 39 : 38 = 44.97 cents. Limit: 19-limit. MIDI pitch bend: 50,78

*Greater 47-limit eleventh tone on C. Just: 94/93 = 18.52 cents. Limit: 47-limit. MIDI pitch bend: 118,69

*Greater 53-limit sixth tone on C = ??. Just: 54/53 = 32.36 cents. Limit: 53-limit. MIDI pitch bend: 45,74

*Undecimal two-fifth tone on C = C↑-. Just: 22:21 = 80.54 cents. Limit: 11-limit. MIDI pitch bend: 99,89 on PU

*Lesser 59-limit seventh tone on C = ?. Just: 60/59 = 29.10 cents. Limit: 59-limit. MIDI pitch bend: 39,73

A jazzy vibe thing i did while i was bored, hope you enjoycreated using fl studio, and a yamaha vibraphone.

*Fifth-tone/1 step in 30 equal temperament on C. Equal-tempered: 21/30:1 = 40 cents. MIDI pitch bend: 102,44 MIDI, created using Sibelius 5.

Edit of me messing with the unedited bowl.

*31-limit eighth tone on C = D♭ (Ben Johnston's notation). Just: 63/62 = 27.70 cents. Limit: 31-limit. MIDI pitch bend: 110,72

*Difference between 19:16 (E♭) & 6:5 (E♭) on C = C. Just: 96 : 95 = 18.13 cents. Limit: 19-limit. MIDI pitch bend: 103,69

*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76

*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77

*Lesser septendecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 17-limit. MIDI pitch bend: 21,74

*Undecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 11-limit. MIDI pitch bend: 45,74

*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77

*Lesser 47-limit fifth tone on C = C (Ben Johnston's notation). Just: 48/47 = 36.45 cents. Limit: 47-limit. MIDI pitch bend: 84,75

*Undecimal fifth tone on C = C↓#+ (Ben Johnston's notation). Just: 45/44 = 38.91 cents. Limit: 11-limit. MIDI pitch bend: 57,76

*29-limit seventh tone on C = C (Ben Johnston's notation). Just: 58/57 = 30.11 cents. Limit: 29-limit. MIDI pitch bend: 81,73

Last chord of Anger's Tintamarre (The Clangor of Bells) (1911).

Edited version of me messing with those scissors.

Cadence featuring an upper leading tone from a well known 16th-century lamentation, the debate over which was documented in Rome c.1540. (C-D).

Cadence featuring an upper leading tone from a well known 16th-century lamentation, the debate over which was documented in Rome c.1540. (C-D).

*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.

*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73

Two examples of tone-cluster notation as first used by Henry Cowell.

Full diatonic fifteenth chord from Listz on B

Fifteenth chord from Perry on C

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.